Reflecton how directors and cinematographers shape meaning in film using cinematography. Robert Bresson’s Pickpocket (1959)
For this week’s discussion, choose either The Inferno or “The Dream of the Rood.” Using one specific scene in either work, explain how a Christian view
For this week’s discussion, choose either The Inferno or “The Dream of the Rood.” Using one specific scene in either work, explain how a Christian view of heroism considers and responds to the ancient problem of sin and our need for redemption. All posts should be grounded in the details